I thought of the gate for Matteo Tranchellini Studio as a business card, which can reveal to the most curious the world and the activity of those who work and live: an image post-production lab and the everyday life of

During the world scale event conceived by Nike and other ten contemporary design brands, the location was partially transformed in order to be more comfortable and versatile. I personally redesigned the entrance gate and decorated it with flowery patterns inspired

A series of threadlike coffee tables, with a fluid and enticing shape, combine two materials, which apparently are poles apart: steel and cob. And play with the decomposition and mirror-like multiplication of the case that defines them. Kaleidoscopic, semitransparent tables

This work was realised when one of the most ancient trees in the town of Carugate died during the renovation of the town hall. Therefore the town and the designer turned it into a sculpture or rather a work of

The huge dimension of the painting, the soft wave of the cover, the use of thick and lively colours, make the Via Crucis in Carugate resemble the early medieval frescoes, which covered entirely walls, chapels, and naves of cathedrals (the

This is a four hand project, made with true love and great devotion, thanks to the crucial contribution of Sergio Sabbadini, a friend and colleague. A small ingenious work, realised with the help of specialised workers and great team spirit.

Mr. Empire e Miss. Chrysler under the sea, 2010.Fragile 900, Milano Table with crystal-glass surface and bright perforated steel Mr. Empire e Miss. Chrysler under the sea, is a table that tells a story that has never been told before.

The idea comes from one of my old cut outs and from playing with the effect obtained by turning it over (kaleidoscope). This is how we have made a burnt ground stone entirely decorated with fire on its surface. Traditional

Packaging box cut out and colored, 25x32x12 cm

Fabbrica del Vapore, Milano DESIGN WEEK FUORI SALONE 2023 The scuplture, entirely made of iron, has been placed at the centre of a monochrome soil wall with a rough finish. Finely embroidered trapezoidal lacework, mineral florescence which tell us, through a contaminating